
Thomas Arslan Artikel zu: Thomas Arslan
Thomas Arslan ist ein deutsch-türkischer Filmregisseur und Drehbuchautor. Er gilt als Vertreter der Berliner Schule. Thomas Arslan (* Juli in Braunschweig) ist ein deutsch-türkischer Filmregisseur und Drehbuchautor. Er gilt als Vertreter der Berliner Schule. Prof. Thomas Arslan. Sprechzeiten: Nach Vereinbarung. Geschäftsführender Direktor. Institut für zeitbasierte Medien. Professor. Thomas Arslan. Darsteller, Regie, Drehbuch, Kamera, Schnitt, Ton, Sonstiges, Produzent. Braunschweig. Biografie. Thomas Arslan, geboren am Juli als Sohn eines deutsch-türkischen Paares in Braunschweig, wächst von 19in Essen und von. THOMAS ARSLAN. Regisseur von. HELLE NÄCHTE. Geboren in Braunschweig. Studiert Germanistik sowie Film an der Deutschen Film und. Im Gespräch mit Thomas Arslan über seinen Kriminalfilm Im Schatten geht es um seine persönliche Gedanken und die Hintergründe zum Film.

Meinen Stil beschreiben können andere besser als ich. Berlinale darf aber auch ein deutscher Regisseur jubeln. Zum Abschluss der Kennt Bitchslap schon unser Best Of deutsch-türkischer Filme? Natürlich habe ich mir aber zur Recherche einige Western angesehen. Spezial Gewinner der Quartett DAmour Uncut. Autotests Was hinter den Versprechen der Autohersteller steckt. Mir war die Genauigkeit in den Details wichtig, sei es bei den Kostümen oder den Locations. Grünpflege Rasen säen im eigenen Garten: So wird's gemacht. Es gibt eigentlich nur eine Figur, die richtig im Westen aufgewachsen ist und als Westernfigur durchgehen könnte, die anderen sind Städter. Thomas Arslan wurde am Während der langen Tage der Sommersonnenwende, in denen es niemals dunkel wird, versucht Michael den Kreislauf der Wiederholungen zu durchbrechen, um einen gemeinsamen Weg zu finden. Fotografie-Tipps für Anfänger Diese Spiegelreflexkameras eignen sich für Thomas Arslan und das können sie. Wirken drehte Ralf Damasch. Alles war sehr knapp kalkuliert. Thomas Arslan Screenwriter Video
Berliner Schule. Part 2: Benjamin Heisenberg, Thomas Arslan and Katja NicodemusWhy did you choose to set the story in the mountains of northern Norway? The time he spends with his son is not just a holiday, because they are in an extremely remote part of the world.
There are no distractions and no amusements, and so they have to deal with one another the entire time. For me, this landscape forms a very particular setting, and that has a tangible influence on the story because the two characters are forced to come to an agreement and try to get along.
Nature itself has a crucial role in the film. In a way, it has to do with the relationships between them — these people who find themselves thrown together in that isolated scenario.
Why is it so difficult for a father to identify with what his child is feeling? The father and his son grow closer together, but at the same time we see the classic dynamic whereby the child is determined not to turn into his parents.
In your previous films, the male characters are very often lone wolves. He net worth has been growing significantly in So, how much is Thomas Arslan worth at the age of 58 years old?
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I had seen Tristan in one of the first films he was cast in—and he was the best. And Georg is a very experienced actor of course.
I had seen him in many films. This seemed like a good time for me to bring these two together. There are a few instances in the film where the narrative stops for a moment and proceeds in a slightly surreal direction.
How did these sequences come to you? During our research trip we actually found a bunch of burned houses. But we actually had to build the house you see in the film.
So this sequence was preplanned. But for the car scene up the mountain and into the fog, we had shot the scene once before in bright sunlight.
But a few days later we saw the same spot covered with fog, which was much more intense and much more interesting visually. So we shot it again.
The film is fairly episodic over all. How did the overall shape of the film develop? The chronological order of the film had been set beforehand, in the script.
The scene with the young girl, the metal fan, is quite humorous. Not really, but I know a lot of these bands originated in Norway. There were other reasons at first, but [it ended up working for this scene].
Your films seem to be becoming increasingly minimal, in the best sense. Are you conscious of this development, and are you wary of over-explaining or over dramatizing?
Yes, particularly in the last aspect you mentioned.
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